It seems my secret is out at last. Having worked on Los Fantasmas de la Plaza Mayor for more years than I care to admit, I finally wrestled it into discernible shape. Now, ’tis true that that shape is twenty-four minutes long and comprises four sections without discernible breaks, but I have to confess that I have been somewhat surprised at its reception in some quarters. I will confess in advance that some friends and acquaintances have mentioned its “powerful architecture,” “masterly orchestration”, and fine handling of thematic material, but it is …